Rooftop Films: Knee Deep (Event Over)
- When:Sat 7/12/08 (8PM)
- Where: The Old American Can Factory
- Address: 232 Third Street at Third Avenue Brooklyn, NY Map
- Cost: $6/$9
Editors' Take
A sad old story: boy grows up on family farm. Boy believes he'll inherit farm. Mom says no. Mom gets shot. A live set by She Keeps Bees gets you ready for the film; buy your tickets on GOING!
Tickets for this Event
-
Limited Time Discount - General Admission - $6.00
No refunds. In the event of rain, show will be held indoors at the same location. Seating is first come, first served. Physical seats are limited. That means a small percentage of the audience may not get a chair. NO POINTY HEELED SHOES ALLOWED ON THE ROOF.
Matricide gets a modern twist in this bittersweet true-crime story
of a Maine boy who believed the family farm was his, right up until
the day his mother evicted him. On that day, Mom got shot.
Venue: On the roof of The Old American Can Factory
Address: 232 3rd Street at the corner of 3rd Avenue (Gowanus, Brooklyn)
Directions:
F, G to Carroll Street
or M, R to Union Street and read
here for directions from the train|
Map
Rain: In the event of rain the show will be held indoors at the same
location
8:30PM:
Sound Fix presents live music by
She Keeps Bees
9:00PM: Films
Tickets: $9 at
http://going.com
Preview: See short films from this and other programs at
www.IFC.com
Presented in partnership with:
IFC.com,
New York magazine, and
XØ Projects
PROGRAM NOTES:
“A rural Rashomon, and, like the masterful movie it most
resembles, 1992’s
Brother’s Keeper, it is up to us to figure it all out.
Amazing…mesmerizing…one of the best documentaries on
closed off communities and human politics ever mounted.”
--Bill Gibron, DVD Talk.
If you travel through Maine and leave behind the familiar coast of
summer vacations, you find yourself in a different Maine, the Maine
of fields, farms, work and dirt. It’s a place most tourists
never see—as the locals say, the real Maine. This is where
Josh Osborne was raised, on his family’s third-generation
dairy farm in Farmington, with his mother, father, and two sisters.
Pulled out of school in the sixth grade, Josh would get lost on the
five-mile trip to town and faced a life of hard labor. He worked on
the farm every day for a dozen years on the promise that it would
someday be his. But things didn’t turn out that way. Which is
why on a beautiful summer’s day, this 22-year-old farm boy
found himself aiming a rifle at his mother. Drawing from verite
footage, home movies, interviews, police tapes, crime scene videos,
love letters, and re-creations, Knee Deep asks the question: Why
would a son try to kill his mother? The answers are surprisingly
tragic and comic.
Knee Deep is certainly the story of Josh and his family, but it is
also a portrait of a community in transition and it vividly
displays the impact that rapid development has on small towns and
big cities the world over. The lure of so called “easy
money” lures individuals and city planners to sell their
traditional farms and local industrial districts to big developers,
re-zoning lands to build condominiums and McMansions, all too often
failing to realize that they have traded away the land that
sustains their businesses and keeps their economies diverse and
their society self-sustaining. Josh’s betrayal by his mother
is, in the end, a deliciously melodramatic metaphor for the way
that we forsake the future of our society as we shut down family
farms and local manufacturers.
Part of Rooftop Films and XO Projects’ INDUSTRIANCE™
Series: films, discussions, installations and more about the
changing landscape in industry, architecture, agriculture, labor,
and related fields.
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