Rooftop Films: Home Movies (Event Over)
Tickets for this Event
-
General Admission - $9.00
No refunds. In the event of rain, show will be held indoors nearby at 232 3rd Street. This show is held on a lawn, not a Rooftop. Seating is first come, first served. Physical seats are limited. This means you might not get a chair. You are welcome to bring a blanket and picnic.
Sat., August 2, 2008
Home Movies
Fragile memories, preserved (and distorted) in motion pictures.
Fun, fascinating, personal and profound.
Venue: On the lawn along the Gowanus Canal at
The Yard
Address: 400 Carroll Street (btw. Bond / Nevins - Carroll Gardens)
Directions: F / G to Carroll at Smith, walk 3 blocks east (downhill) on
Carroll or M / R to Union, walk 2 blocks south to a left on Carroll
Rain: In the event of rain the show will be held indoors nearby at The
Old American Can Factory, 232 3rd Street (corner of 3rd Avenue)
8:00PM: Doors open
8:30PM: Sound Fix Presents Live Music by
The Trachtenburg Family Slideshow Players
9:00PM: Films
11:00PM – 12:30AM: Reception including free wine courtesy of
Brooklyn Oenology
Tickets: $9 at the door or online at
http://going.com
Preview: See short films from this and other programs at
www.IFC.com
Presented in partnership with:
IFC.com,
New York magazine,
Brooklyn Oenology,
MeanRed Productions and
The Yard
The first 100 in attendance will receive a FREE copy of Jim Munroe's book, An Opening of Unspeakable Evil, a novel about a demonic ritual that catches on with the kids as peformance art. The book even includes a scene that features a Rooftop Films show! Read more about it here
PROGRAM NOTES:
Every year Rooftop hosts a program of Home Movies—discovering
the forgotten, unmediated moments of people’s lives,
unfiltered and as they live them. The films reveal textures,
patterns, feelings that might go unnoticed, fleeting incidents that
would otherwise pass without thought, but when captured on film or
video provide an insight into the lives captured, or those
recording.
This year’s program is slightly different, in that it’s
less about the immediate moment than about the reflected
moment—less web cam and more video diary. We use diaries to
record our most intimate feelings. What we write is raw and honest.
We vent, we explore, we admit our fears and regrets. The films in
this program are consciously mining the filmmakers’ personal
lives, using the immediacy of the footage to settle their own
feelings, by turns comic and cartoonish, romantic and violent.
THE FILMS
Full Effect (Jeremy Bailey | Toronto, ON | 2:20)
Veteran Rooftop filmmaker Jeremy Bailey wants to be understood, and
pulls out his most emotive video effects in a desperate plea to
connect with you.
Carmichael & Shane (Alex Weinress & Rob Carlton | Pymble, Australia | 6:00)
Shane also wants to be understood, but there’s only so much
compassion going around. A comic tale about twins.
Baby Cakes Diary #3 (Brad Neely | Austin, TX | 2:45)
Baby Cakes profound thoughts are recorded in another day’s
diary: a trip to the park with a bag of banana chowder, a search
for wizard turds, and a glimpse of the Brain Fuckler, just fuckling
the shit out of people’s brains.
Film Makes Us Happy (Bryan Wizeman | Brooklyn, NY | 12:20)
When filmmaking is your passion but also your problem, turning the
camera on your own life may be the only solution. Rooftop alum
Wizeman “documents the last fight my wife and I will ever
have about making films.”
Every Other Girl in the World (Christopher Miner | Jackson, MS | 29:00)
When Rooftop last saw Miner (Between Me and the Earth, 6/22/07), he
was traveling to Niagara Falls to shed his virginity. Now
we’re with him on his honeymoon in Acapulco, where he once
spent a summer, years ago. But his wife doesn’t know his
complicated history, and Miner’s own critical self-analysis
(and over-thinking) threatens to ruin the trip, if not the
marriage, just as they begin.
INTERMISSION
I Met the Walrus (Josh Raskin | Toronto, ON | 6:00)
In 1969, 14-year-old Jerry Levitan (the producer of this film)
captured one of the greatest teenage home recordings of all time:
he snuck into John Lennon’s apartment to conduct an impromptu
interview. Almost 40 years later, animator John Raskin unearths the
tape, and poetically gives life to this long lost artifact, which
puts Levitan’s youthful optimism in balance with
Lennon’s cynical hopes.
Count Backwards from Five (Tony Gault | Glenwood Springs, CO | 6:00)
A visual exploration of generosity and addiction. Tony Gault
returns to Rooftop, using old answering machine tapes and home
movie footage to decipher his brother’s serenely troubled
life.
Relax at Home (Sara Pomerance | New York, NY | 3:30)
One of the misfortunes of old age is revealed in this simple slice
of life at a relaxing brunch.
A Film About Violence (Ethan Knecht | New York, NY | 1:00)
The simple and powerful example of the ways the film frame shapes
(and distorts) our understanding.
White Vans (Aren Hansen | Vancouver, BC | 13:00)
Hansen uses video surveillance to set a trap for a bike thief, but
learns more about himself and the nature of revenge than he learns
about the would-be criminal.
The Things She Would Tell Me (Miryam Welbourne | Brooklyn, NY | 2:00)
An innocently recorded lunch conversation reveals a shockingly
guilt-free revelation about love and murder.
The Apology Line (James Lees | London, UK | 10:00)
Members of the public anonymously confess to absolutely anything
over the telephone.
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